A short exploring what the term ‘Vanilla Sex’ means in black and queer communities through polaroid photographs.

A fascinating and unlikely reinvention story, The Royal Road simultaneously explores cinematic spiritual channeling, the conquest and colonization of Mexico and the American Southwest, fading historical Californian urban landscapes, and the passions found in butch identity to achieve an achingly beautiful and poetic defense of remembering. Probing roads from El Camino Real, to the Boulevard of Broken Dreams, to the road right outside the front door, Olson crafts a deeply intelligent and transcending observation of the human condition that reaches for redemption in the embrace of history, nostalgia, mindfulness, and sheer beauty. If you give yourself over to it, it will crack you wide open.

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

From the first kiss to breakup, Almy and Hammer record their relationship on a reel-to-reel ¾” tape recorder and microphone. Winner of the Louise Riskin Prize at the 1976 San Francisco Art Festival.

Summer 2016, somewhere in French provencal Drôme, a mysterious plague strikes in the villages: swarms of white butterflies invaded the area. At dusk, everyone is locked up home, trapped by the seemingly unstoppable vermin. As the big swarm approaches, Lou discovers both the strange insects and her feelings for her friend Sam. By the end of the season, the moths will have devastated the entirety of the century-old box trees, leaving a ruined landscape behind them.