Whatever she does, Eunhee feels like an outsider. Then her new Chinese teacher turns out to be so utterly different from everybody else. A compassionate and meticulously told narrative of a seemingly regular summer that leaves nothing unchanged.

Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.

Cheryl, playing herself, humorously experiences the mysteries of lesbian dating in the '90s.

Dagmar Brink, a young female pianist, dies by suicide in her Stockholm apartment. She leaves all her belongings to her next-door neighbors, an author and his wife. Perplexed and curious, they investigate the girl's reasons for taking her life. As they visit Dagmar's friends, acquaintances and former boyfriends, her story unfolds. She stands out as loner, a woman no one could really grasp, always in want of something that nobody she met could make out.

FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout.

Ema is a magnetic and impulsive dancer in a reggaeton troupe. Her toxic marriage to choreographer Gastón is beyond repair, following a decision to give up on their adopted child Polo. She sets out on a mission to get him back, not caring who she’ll need to fight, seduce or destroy to make it happen.

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)

The Daughter of the Moon battles the Daughter of the Sun over a magical diamond that will allow the winner to remain on Earth, specifically in modern day Paris.